Wednesday, December 25, 2019

Augustus Caesar and Emperor Nero Comparision - 980 Words

I believe that being a beloved leader has a huge effect on being a better ruler. In 44 B.C. Julius Caesar was assassinated by his senate chamber. Soon his nephew and adopted son, Gaius Octavian, would join forces with Mark Anthony and Marcus Aemilius Lepidus into a three-way dictatorship. This transformed Rome from being a Monarchy into being a dictatorship. Lepidus left Rome soon after Octavian began reign and went on to lead parts of Africa and Hispania. In 37 B.C. Mary Anthony met Cleopatra. They fell in love and Mark followed her back to Egypt. Octavian took reign over Rome and obtained the name Augustus Caesar. Mark Anthony and Augustus became enemies and war broke out between Rome and Egypt. This is one reason for why I believe that†¦show more content†¦Women gave birth during his shows and some people faked being dead just to be dragged out of it. Some people even went as far as jumping off the ledge of the theater to their death. These plays would go on for several d ays without any breaks. He attempted to set fire to Rome just so he could rebuild the city. In my opinion, the action that Nero is most known for is for persecuting of Jews. Nero would crucify Jews for spreading Christianity throughout Rome. Nero was the persecutor of the apostles Paul and Peter. Nero was a violent leader and a leader who was definitely, not beloved. In conclusion, being a leader that is beloved has a huge effect on being a better leader. For example, Augustus Caesar was so favored that his name was passed on through all the emperors all the way up to 476A.D. The roman citizen would hold festivals just in honor of Augustus. They loved Augustus which made Rome a happier place all in all. In the other hand Nero made Rome become a dark and violent empire. I believe that good rulers always work their hardest to please their people and have positive influences on them. People want a leader who incurages them and is always striving to help the empire grow

Tuesday, December 17, 2019

Essay on Amadeus Influential Values - 686 Words

Amadeus Influential Values Peter Shaffer’s Amadeus presents to the reader many human values. The most prominent being envy, deceit and self-sacrifice. During the course of the play these features are displayed through Salieri’s actions, emotions and dialogue. The relationship between Salieri and Mozart is like a painting, commencing with splattered envy after Mozart’s extordinary musical talents disrupt Salieri’s clean, white, sanity. Splatters become blotches when Mozart uses Salieri’s â€Å"prize pupil† (33), Katherina Cavalieri, to fulfill his professional and sexual aspirations. Covered in thick, black envy, Salieri seeks lust to better himself than his opponent: â€Å"As I watched her walk away on the arm of the creature, I†¦show more content†¦Salieri trying to interfere with Mozart’s opera, The Marriage of Figaro displays his second step of deceit. Upon hearing that Mozart’s new opera contained ballet, which is verboten in the Emperor’s operas, he wickedly conveys this information to his colleagues and attempts to destroy his opera. Although Mozart is distressed when approached by this fact, he still manages to work through his deceit and is able to achieve the emperor ’s consent of the dance after being harassed and mentally walloped on from Salieri and his colleagues. Mozart accuses Salieri at the beginning of this uproar but is then altered after hearing this following quote from Salieri displaying his feign concern for the stressed fellow: â€Å"Mozart, permit me. If you wish, I will speak to the Emperor myself. Ask him to attend a rehearsal† (70). Salieri’s third step of deceit is illustrated by having the Baron attend a small opera hosted by Mozart that mocks modern day opera themes. This of course enrages the Baron and causes Mozart to be shunned by all men of influence and leads him deeper into depression. Salieri â€Å"had of course suggested it† (92), for the Baron to come but keeps his amity with Mozart by expressing that â€Å"all is not lost† (93). The final step of deceit is exhibited by way of Salieri appearing â€Å"to the demented creature as – the Messenger of God!† (94) And scaring him to death by forcing him to write his own requiem. With Mozart at his weakest state,Show MoreRelatedThe Age Of The Enlightenment1646 Words   |  7 Pagesindividualistic thinking. Rather than focusing on a unified peace, revolutionaries, such as Thomas Paine, Wolfgang Amadeus Mozart, Johann von Goethe and Jane Austen, of the late 18th and 19th century emphasized the passion of self-expression within the individual. Thomas Paine exemplifies the passionate, individualistic expression of the late 18th and early 19th century in his highly influential pamphlet entitled Common Sense. In this short, easily accessible pamphlet, Thomas Paine uses excellent commandRead MoreThe Importance of Function Over Form in the Classical Concerto1406 Words   |  6 Pagescohesive character that embodied the natural. Though the series of changes from the Baroque concerto grosso to the Classical concerto were gradual and cannot be attributed to a single composer, the Piano Concerto No. 20 in D minor K. 466 by Wolfgang Amadeus Mozart is a skillful representation of the genre in that era. Of particular interest in this concerto is the treatment of sonata form in the first movement. When compared to other instrumental genres of that era, there is a tangible divide betweenRead MoreThe Individualism Of The American Colonies1693 Words   |  7 Pagespassionate revolution. The emphasis on individualism and passionate expression of the self during the late 18th and early 19th century is also exemplified in the musical realm through the revolutionary work of one of the most highly influential musicians, Wolfgang Amadeus Mozart. At the time of Mozart’s birth, the most popular and conventional music was created in the style of the Renaissance and Baroque periods. After the discovery of Mozart’s prodigal musical genius and honing his skill through severalRead MoreBenefits of Music Essay1038 Words   |  5 Pageswere the words of Sergei Rachmaninoff, a Russian composer and pianist who was very influential in the twentieth century. Sergei had a very accurate perception of music and he understood the significance that music has. For some people, music is the center of their lives and it is the foundation on how they live. 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Both the Classical and Romantic eras of music offer influential aspects of music. In order for significant and noticeable changes to occur in music, the soc iety surrounding it must also change. Significant social and political movements often bring on these stylistic changes in music. These changes can range from the way personality is expressed in music to the actual orchestrationRead MoreThe Works Of Haydn And Mozart940 Words   |  4 Pagesresponsible for bringing Viennese Classicism to its greatest height. In the public eye, these two great composers could not be more different, whether it is in terms of their characters or values. This essay sets out to explore the similarities and differences in the early lives of these two gifted individuals, Wolfgang Amadeus Mozart and (Franz) Joseph Haydn, through their backgrounds and music education. Mozart, who was born in 1756 in Salzburg, was Haydn’s junior by twenty-four years. By the time heRead MoreAmadeus : An Enlightening Approach Essay2767 Words   |  12 PagesJaved Hira Professor Prasanta Chakraborty English M.A (final) 4th Sem. April 13, 2014 Amadeus: An Enlightening Approach Abstract: Forman’s tormented, iconoclastic subjects are often pitted against iconic or impersonal antagonists, but Amadeus conflict remains rivetingly intimate, inspite of its sumptuous, larger –than life settings Tasha Robinson, AV club.(line 1) The â€Å"Man†, The â€Å"Muse†, The†Madness†,†The†Murder† (?), The â€Å"Motion Picture†---.So goes the tagline.... but we can add some more....theRead MoreWolfgang Amadeus Mozart ( 1756-1791 )1433 Words   |  6 PagesWolfgang Amadeus Mozart (1756-1791) is without a doubt one of the most influential composers to have ever lived. From his piano works to his symphonies, Mozart never ceased to amaze people with his music. He had a very exciting career that began in his childhood that involved traveling to different cities and performing and writing music for a number of large and well-respected audiences. Along with Mozart’s obviously notable works, his sacred music was also exceptionally popular at the time, asRead MoreOperations Management in a Travel Agency4951 Words   |  20 Pagesproducts which are close substitutes for each other (e.g. the car industry, the travel industry). Some industries are more profitable than others. The answer lies in understanding the dynamics of competitive structure in an industry. The most influential analytical model for assessing the nature of competition in an industry is Michael Porters Five Forces Model, which is described below: In the present scenario:- The bargaining power of suppliers is low, compounded by the independence of the Travel

Monday, December 9, 2019

Okonkwo In Things Fall Apart Essay Example For Students

Okonkwo In Things Fall Apart Essay When a hammer meets a selection of fine china, the fine china breaks and shatters. However, if the fine china is replaced with Play-Doh (that wonderful substance that reeks of â€Å"non-toxic† chemicals), the Play-Doh molds and conforms to the hammer; it changes. This may sound utterly fruitless; however, the Play-Doh is still recognizable as Play-Do, while the china exists as a collection of glass. The china’s refusal to change causes it to break. The Play-Doh accepts change and lets the force mold it into something new, yet something that still resembles Play-Doh. Okonkwo of Chinua Achebe’s Things Fall Apart, like the selection of china, refuses to change. This refusal causes a â€Å"loss of self† comparable to the china’s loss of form, and, due to this refusal, he breaks, or, as shown in the novel, kills himself. Evidence of this negation to change can be found in points in the novel when change is forced upon Okonkwo. It may be pertinent to define what Okonkwo’s self is. He had an extreme disgust for his father. â€Å"He had no patience with unsuccessful men, he had no patience for his father† (2). Therefore, he tried not to become his father. He did this by surrounding himself with the work of supporting his family, something his father did not do. This routine became his self. He was in fear of losing this routine because he would then become his father. This can be inferred by Okonkwo’s experience in exile. He did not enjoy rebuilding his farm, â€Å"and when there was no work to do he sat in a silent half-sleep† (113). His father was described as â€Å"a loafer† (3) and a loafer is a person who does no work. Hence, his self is his routine, and to change this routine would endanger his self. This proves that he feared change. The subtle edge of his resistance to the wave of change lies in the everyday aspects of Okonkwo’s life. His tribal people celebrated â€Å"The New Yam Festival†. However, he â€Å"could never become enthusiastic about feasts as most people† (32). â€Å"He was always felt uncomfortable sitting around for days waiting for a feast or getting over it. He would be very much happier working on his farm† (32). In essence, he didn’t enjoy the change in his every day life that the feast brought for he was a man addicted to and comforted by routine. But the previous is only like a scratch on the china plate. With more force applied, the china shatters. In Okonkwo’s case, when there is a notable mutation in his daily routine, he loses himself. A significant alteration of his lifestyle can be observed when his tribe is faced with Christianity: â€Å"Now he (Christianity) has won our brothers, and our clan can no longer act like one† (152). Christianity swept up his son, Nwoye. Okonkwo, of course, did not like this upheaval of normality. He violently attacked his son. He convinced himself that â€Å"Nwoye was not worth fighting for† (133), â€Å"he is no longer my son† (148). He even pondered the idea that his wife had cheated on him, and that Nwoye was not of his own (133). This shows his inability to accept Nwoye’s spiritual development. Along the same lines, Okonkwo does not like the new religion’s effects on his people. Therefore he felt it was his duty to stop the influx of transition: â€Å"I will fight alone if I choose† (173). When he takes matters into his own hands he displays the apogee of his inability to change: his denial. He believes he must set things right, based on the fact that he alone disagrees with the way things are. Okonkwo’s stubbornness, his inability to comprehend the surrounding, changing world swells in him. It swells to a point where he breaks inside. It breaks and he hangs from a tree limb. What broke was the routine of his life, created to guide him off his father’s path. When the surrounding environment changed his routine, he lost his self.

Sunday, December 1, 2019

Japanese Anime and Doujin Culture

Anime has been a big part of the Japanese culture especially since the beginning of the 20th century. Anime started to be used in the early part of the 20th century by film makers who were trying out new techniques in animation for their own creative work. It was not until the 1960’s when the current format of anime took root in Japan.Advertising We will write a custom report sample on Japanese Anime and Doujin Culture specifically for you for only $16.05 $11/page Learn More In the 1980’s the anime spread to other parts of the world including the western world where it has continued to grow in popularity. Anime has managed to get a lot of audience in Japan over the period it has been in existence. This is especially true of Manga creation. The Doujin culture involves the artistic life adopted by people with similar interests as they get together and share their creative ideas. From these ideas, they create literature, games, comics or other products. The culture of Doujin has been greatly influenced by anime and in turn the doujin has contributed to anime’s growth. The earliest formations of doujin were established when a comic society was formed under Shotaro Ishinomori. This society started to publish magazines with contributions coming from the friends within the circle. The activities increased with more exposure and as the Japanese population got interested in the anime. As the doujin culture increased, the doujin began to shape the face of educational institutions with their increased popularity. Institutions of higher learning began to give financial support to the doujin. Anime began to be part of the Japanese culture and for Japanese culture to be celebrated through it. During the 1970s the doujins were still closed to many people and talent was limited to those friends who could manage to get together. The Comic Market is credited with getting doujin culture to be acknowledged. This happened in 1975 a nd opened the way for individual circles to joint together and share ideas as well as marketing opportunities. The creators were also able to share printing costs and methods, like the offset style, which was heavily used during the 1970s and 80s. Through this, anime was able to get even more exposure. In the mid 80s, due to the increasing availability of PCs, there was a growth and surge in the doujin software. Most of the popular creations at this time were erotic. During the 90s, the creation began to gravitate towards games. As the anime has increasingly become part of the Japanese mass culture, there have been problems with copyrights.Advertising Looking for report on asian? Let's see if we can help you! Get your first paper with 15% OFF Learn More Most of those who continue to create anime do so because of the high demand. As a result some have used established characters as a platform for their creation. However, original creators have not always had the opportu nity to control or restrict the use of their work. As a result, the copyright laws have been undergoing changes to ensure there is a set rule for the way the industry is run. Doujin has greatly impacted the art culture in Japan. Anime has been a venue through which creators have come up with artistic expressions of characters and Japanese traditions have been incorporated into the art of anime. The manga industry has also been increasing with the growth of anime, including importing their products to western countries. This has led to growth of the animation industry as well, including the venues through which the anime is released. These include televisions, magazines and the internet. The doujin has also contributed to interest in the Japanese culture. As the anime has crossed over, there has been a marked interest in Japanese language, for example, with those who consume the products eager to learn about the country that is the origin of the anime. In terms of style, anime has co ntinued to contribute to the field of animation. Although the styles used in anime vary with different creators, Japanese anime has had a lot to offer. Some of the styles that have been unique have been incorporated in other animations including the intense and over exaggerated style that has been seen in some genres of the Japanese anime. These have served to widen the horizons of animation. The robot anime has also been used extensively and has been one of the most popular genres in the 21st century. With the use of the internet and software, much has been shared across from Japan to other markets. Young people in the Japanese society and elsewhere continue to be the greatest consumers of anime. However, even adults have been consumers depending on the genres offered. With the prevalence of different genres, the Japanese society has been more open as different genres catered to different needs in the society. Erotic anime for example gained popularity and was widely consumed in th e 1980s. Other genres have come up to represent the diverse needs in the society. Conclusion The doujin culture has impacted the Japanese culture and has drawn interest to Japan and its cultures and traditions. The Japanese anime has influenced the doujin and will continue to do so as the market for anime within Japan and outside Japan increases. The Japanese society continues to celebrate the anime and doujin culture. If the global consumption of anime continues as it currently stands, the Japanese anime and doujin culture will continue to grow.Advertising We will write a custom report sample on Japanese Anime and Doujin Culture specifically for you for only $16.05 $11/page Learn More This report on Japanese Anime and Doujin Culture was written and submitted by user Mckenna Collins to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.